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Bach Cello Suite 2 Guitar Pdf


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How to Play Bach's Cello Suite No. 2 on Guitar


If you are a classical guitar enthusiast, you might have wondered how to play Bach's cello suites on your instrument. These suites are among the most beautiful and challenging pieces of music ever written for the cello, and they can also be adapted for the guitar with some modifications.


In this article, we will focus on the second suite in D minor, BWV 1008, which consists of six movements: Prelude, Allemande, Courante, Sarabande, Menuets I and II, and Gigue. We will provide some tips and resources to help you learn and practice this masterpiece.


What You Need


To play Bach's cello suite no. 2 on guitar, you will need:


A classical guitar with nylon strings.


A PDF sheet music or tablature of the suite arranged for guitar. You can find several versions online, such as this one by Bradford Werner, which includes both notation and tab.


A tuner and a metronome to help you tune your guitar and keep a steady tempo.


A recording or video of the suite performed by a professional guitarist or cellist. You can listen to different interpretations and styles, such as this one by John Williams or this one by Yo-Yo Ma.


How to Play


Here are some general steps to follow when learning and playing Bach's cello suite no. 2 on guitar:


Tune your guitar to drop D tuning. This means lowering the sixth string from E to D, which will give you more bass notes and make some chords easier to play. You can use a tuner or an online tool like this one to help you.


Start with the Prelude, which is the most famous and recognizable movement of the suite. It is also the easiest one to play, as it consists of mostly arpeggios and scales. Pay attention to the dynamics, articulation, and phrasing of the melody, and try to bring out the different voices and harmonies.


Move on to the Allemande, which is a slow and graceful dance in 4/4 time. It has more complex chords and fingerings than the Prelude, so you might need to practice them separately before playing them smoothly. Try to maintain a steady pulse and a clear tone throughout.


Continue with the Courante, which is a fast and lively dance in 3/4 time. It has more syncopation and ornamentation than the previous movements, so you might need to work on your rhythm and accuracy. Try to play with energy and expression, but without rushing or losing control.


Proceed with the Sarabande, which is a slow and solemn dance in 3/4 time. It has more melodic leaps and intervals than the other movements, so you might need to stretch your fingers and practice your shifts. Try to play with legato and emotion, but without exaggerating or distorting the notes.


Play the Menuets I and II, which are two contrasting dances in 3/4 time that are usually played as a pair. The first one is in D minor and has a darker and more serious mood, while the second one is in D major and has a brighter and more cheerful mood. Try to switch between them smoothly and highlight their differences.


Finish with the Gigue, which is a fast and lively dance in 6/8 time. It has more contrapuntal and polyphonic elements than the other movements, so you might need to practice your finger independence and coordination. Try to play with agility and clarity, but without sacrificing musicality or quality. a474f39169






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